


One of the attractions of the Detective genre is the way good writers use it to cast a sly glance at the deep problems of their society. Without all the dreary agitprop served up by leftist directors and their kitchen sinks. It was the achievement of the film noir genre to condense this trope into stylishly attractive packages, that have stood the test of time.
Roman Polanski’s Chinatown(1974) was made after the classic age of the gumshoe(Look! It’s in colour!) But it sports the classic trilby-wearing Private Eye negotiating his way through a 1930s world of glamorous cars, fast women and cocktail lounges.[1] Jake Gittes is a classic Jack Nicholson character-brash, wisecracking, cheerfully unaware of his own faults. Yet he has his integrity to his Craft, which redeems. Cheerfully able to manipulate his subordinates and everyday clients, he stumbles when he runs up against bigger players like Evelyn Mulwray (Faye Dunaway) and a sociopathic dwarf (played by Polanski himself) with a penchant for knife crime. Biggest and Baddest of all is multimillionaire Noah Cross, played by John Huston who comes out from behind the camera to give the performance of a lifetime. Noah is the monster to end all monsters; not only is he madly greedy and a megalomaniac, but it turns out in the final twist that he has actually…….no, we won’t spoil it for younger generation. We had no idea then that such things could occur, and still wonder why they do today.
Above all Chinatown is set against the Los Angeles Water Wars of the 1930s. When a fast growing metropolis was suddenly running short of water, and certain characters thereby saw the opportunity to turn a fast buck. It is a question not without relevance today, particularly for those of us who live in England. How the sudden lurches in power, and the compromises they enforce so ruthlessly are displayed in the last scen, set in the eponymous Chinatown. Where Gittes is finally forced to weigh that last redeeming scrap of professional integrity against survival. But we won’t spoil that bit either.
Note for film buffs and musicologists-we thought the main theme displays a passing resemblance to Holst’s Planets, Jupiter Suite; does anyone have the knowledge to tell us if we’re right or wrong?
[1]https://en.wikipedia.org/wiki/Chinatown_(1974_film)
#detective #film noir #los angeles #chinatown #roman polanski #jack nicholson #faye dunaway #privatisation #public ownership


























